Even after many listens I have still yet to fully wrap my mind around the project as a whole. That’s thanks to the presence of a sentimental hook man to cut into Yeezy’s cinematic scenes of drugs and mayhem. It’s as if the streamlined foundation Kanye’s provided him here has given him fresh confidence and a platform to shine. Together, these two studio wzrds have managed to produce something that is equal parts raw, honest, touching, spooky and ethereal. Even though there are moments worth revisiting on his rock/grunge album Speedin’ Bullet 2 Heaven and detour side project WZRD, KIDS SEE GHOSTS might be the first Cudi album entirely free from bullshit lyrics and unnecessary sonic flourishes, and they’re an example of how little Cudi needs to contribute to a track to make his mark with maximum impact. Universal acclaim Cudi’s always struggled with being two-dimensional on his own records, but here he brings a soul and depth that his mentor can't muster. The movie was uneasy viewing, splitting the line between revelation and violation, and the music that wallpapered it felt intensely private, doodles that were meant for one mind, not the world. Despite being a collaborative project, KIDS SEE GHOSTS feels very much like it was built around Cudi (it’s almost a love letter), and maybe this is why he not only returns to but excels over his former Man on the Moon glory. On riding brooms with Debbie Reynolds, dating her Disney movie co-star, and how the writers changed the ending at the last second. Kids See Ghosts (Kanye West and Kid Cudi) – ‘Kids See Ghosts’ review This new collaboration sees Kanye West and Kid Cudi catch up with the fragmented, fragile brand of hip-hop that they helped …
Over his last three full-length releases (away from the G.O.O.D. *If you submitted your e-mail address and placed an order, we may use your e-mail address to inform you The record is the culmination of Cudi and Kanye’s tumultuous, decade-long professional relationship, which began in 2008 with Cudi signing to G.O.O.D Music, birthed extensive collaborations (including on West’s Autotune opus 808s & Heartbreak), survived all out rap Twitter beefing, and finally resulted in the long awaited first full-length project between the duo. It’s characterised by the ethereal, low-key beats and off-kilter, barely in-tune singing that have been Cudi’s trademark since his emotional 2008 mixtape ‘A Kid Named Cudi’ influenced Kanye’s introspective and ice-cold ‘808s & Heartbreak’, which in turn influenced the likes of Drake and The Weeknd. It’s a stretch to imagine anyone returning to tracks from ye in five years' time, whereas this feels like it is and will remain essential listening.
Though nowhere near as incisive, infectious or rewarding as their best work, Kids See Ghosts is still an important step forward into an era of big moods and short attention spans. Sitting at a painfully short seven songs, the project is every bit as good as it should be; this is genuinely the reintroduction to both artists the world deserves. Free (& Subscription) Games for All Platforms: New & Upcoming, November Preview: 19 TV Shows & New Movies to Watch at Home, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. Kid Cudi and Kanye West are an effective team because both are Midwest boys with complicated stories, whose music radiates whatever joy or pain they’re feeling in the moment. The seven-song affair leaves you greedy for more when it’s over in a mere 23 minutes.
There are many simplistic platitudes, “Stay strong,” “I can still feel the love,” etc., but while these lines might be simple in execution, the sentiments they reflect are anything but.
Feel the love The company is committed to facilitating the accessibility and usability of its Web site for all people with
While Kids See Ghosts feels more like a Cudi album than a Kanye one, it is a production showcase for both. He just turned 41, and Kanye West still craves nothing more than to make a big mess, plunge into it headfirst, and take us with him. It’s genuinely uplifting to hear Kanye yell, “I don’t feel pain anymore / Guess what babe?
It’s become part of the reason that Cudi is so influential - reaching near godfather status, idolized by a generation of hip-hop makers and listeners.
This is a better outcome than we’ve seen in the recent rash of rappers teaming up to make single-serving joint mixtapes out of mutual admiration and a week of shared studio time. A lot of the energy that ye seemed to be gasping for fills the lungs of this project, and it’s humbling to consider how much this material might have enlivened West’s own album. The problem in the past was that this was squandered and spread too thin across overly-long albums. A seven-track album (it’s Kanye’s current obsession; both ‘ye’ and ‘Daytona’ ran to the same length) can hardly help but feel slight, though the brevity actually suits this collaborative record.
Kids See Ghosts. It makes for a perfect version of a Kid Cudi album, with Cudi taking center stage under the guiding hand of Kanye’s stellar production.
© 2020 Vox Media, LLC. The debut surprise studio release for the collaboration between Kanye West and Kid Cudi features contributions from André 3000, Mos Def, Ty Dolla $ign as well as samples from Kurt Cobain's "Burn the Rain" and Louis Prima's "What Would Santa Claus Do?". 2)” cues up old Marcus Garvey lines about knowledge of self over a sinister rock riff while both rappers engage in a bit of primal-scream therapy.
All this publication's reviews Amazing collaboration with Kudi, once again pushing the boundaries in music, production and lyrics. There's nothing here that hasn't been done better elsewhere. Cudi’s lines about wanting to crack under pressure end on a promising note — “in time, I find I’m stronger that I ever was” — and the old woke Kanye returns (slightly) in a verse about how goodness is a cakewalk until good fortune fails you. There’s a reason that “Reborn” is the album’s longest track; it’s an anthemic standout about healing and coming through dark times, the times where you're entirely without hope that end with stepping into the light and taking a deep motherfucking breath.
“You should quit your job to this,” West shouts on “Freeee (Ghost Town Pt. It sounds, suitably, ghostly and supernatural – a brief glimpse into another world. Under all its punk ferocity, however, lies a grander message of mindfulness and mental strength. Capping all the new G.O.O.D. Kids See Ghosts can be considered one of the best collaborative efforts In Hip-Hop. to the basic tariffs. opioid addiction and a bipolar disorder diagnosis, rehab for self-harm and thoughts of taking his own life, given the opportunity to speak at length on TMZ. regularly about similar products without prior explicit consent. Released a week after Kanye West's messy eighth album, Ye, the eponymous debut effort from Kids See Ghosts-- West and Kid Cudi's rap superduo -- became inseparable from its predecessor's narrative, both warranting that album's merit and improving upon its ideas with superior production, imagination, and listenability. He’s nuts!”, Gabrielle Union and Jessica Alba on How Far Hollywood Hasn’t Come, Gizelle Bryant and Heather Gay came ready to talk about the behind the scenes reality of, End Your Week With This Twitter Feud Between Kirstie Alley and CNN, The 50 Best Horror Movies on Netflix Right Now.
It sounds, suitably, ghostly and supernatural.
It’s more nakedly emotional than YE could muster in all of its indecision and bluffing.
Music label boss Pusha-T assures us …
If, at any time, you have specific questions or concerns about the Here it sounds defiant: “Guess what, baby? Music release in as many weeks - chasing Kanye’s own project ye and Pusha T’s DAYTONA. You can object to the use of your e-mail address for this purpose at any time without incurring any costs other than the transmission costs according For the most part in fact, the album’s production is curated with Cudi in mind, a sonic bag of treats for those who vibe to the gloomy, celestial exploration of his early material as well as the rap rock stylings he has demonstrated since.
Kids See Ghosts marks his true return only a year and a half after he checked himself into rehab to fight depression and suicidal ideation, and taking the time out to work on himself seems to have done him wonders. For more of our album reviews, head here. The most satisfying moment on the record arrives on “Freeee (Ghost Town Pt. It is an eerie arena in which to watch an Event Album unfold, one where the silences resound as deafeningly as the screams, where the props are missing or moved into place a beat too late. There’s nothing inherently wrong with Japanese Week as a concept, but this episode illustrates all the ways it can go bad. Three down, two to go, or so we tell ourselves, like beleaguered parents boarding a series of connecting flights with a small child. Though nowhere near as incisive, infectious or rewarding as their best work, Kids See Ghosts is still an important step forward into an era of big moods and short attention spans.
Here he is, again, where he has always yearned to be: damned, on the brink of irredeemable, gazing directly into some abyss from which he could never climb out. That artist comes once every decade," or Logic saying, "He was the dude that was like, 'It's OK to be sad, it's OK to talk about these things and go through these things.'". Whether it’s Travis Scott telling Beats 1, “He created a world for kids like me, who wasn't just like, the ultimate like drug dealer… Not everyone is as real as their music is.
Kids See Ghosts review / KIDS SEE GHOSTS / compact discs / Unbiased reviews of guitar equipment, CD and DVD music at Ultimate-Guitar.Com Kids See Ghosts s'inscrit dans une série d'albums de 7 titres produits par Kanye West et sortis à une semaine d'intervalle. West’s production throughout the record is nothing short of mind-bending. After Pusha-T’s compact and sturdy Daytona and the hobbled and confused ye, we now have Kids See Ghosts, Kanye’s collaborative project with Kid Cudi. Kid Cudi and Kanye West are an unlikely pair because neither one is heralded as a technically gifted singer or rapper, but working together on West’s 808s & Heartbreak, Cudi’s Man on the Moon series, and elsewhere, the pair managed to leave indelible marks on the landscape of mainstream rap.
KSG is a concise and efficient debut album from the group. West has turned the album cycle into his version of Calvinball, jubilantly inventing rules while the rest of us hop along desperately in his wake. In his verse, Kanye revisits the wages of cyclical violence—“Everybody want world peace until your niece gets shot in dome piece.” The images are well-worn, down to their grim details (“auntie crying on the concrete”), but it is one of West’s most sustained efforts to imagine someone else’s life since he gave us the “Public visitation, we met at Borders” scenario in “All of the Lights.” The verse concludes with a namecheck of Alice Johnson, the African-American woman whom President Trump pardoned on Kim Kardashian’s urging, just last week. It’s both embarrassing and gripping: never boring and often euphoric. Historique. receiving the newsletter at any time by sending an e-mail to info@highsnobiety.com. A mess really. Pitchfork is the most trusted voice in music.
While Kids See Ghosts feels more like a Cudi album than a Kanye one, it is a production showcase for both. On the one hand, West has shown bravery in talking about his apparent bipolar diagnosis. It’s a testament to their chemistry and quite the turn from 2008. Addressing the stigma and shame attached to mental health struggles head on, both he and Kanye are part of a moment that’s changing the narrative about mental health and, beyond that, their presence as black men openly talking about and sharing their emotions is invaluable on a Moonlight-level.
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